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In literary terminology, a paradox is an apparent contradiction that is nevertheless somehow true. [6] Paradox can take the form of an oxymoron , overstatement or understatement. Paradox can blend into irony .
Stylistics, a branch of applied linguistics, is the study and interpretation of texts of all types, but particularly literary texts, and spoken language with regard to their linguistic and tonal style, where style is the particular variety of language used by different individuals in different situations and settings.
Henry Peacham, for example, in his The Garden of Eloquence (1577), enumerated 184 different figures of speech. Professor Robert DiYanni, in his book Literature: Reading Fiction, Poetry, Drama and the Essay [8] wrote: "Rhetoricians have catalogued more than 250 different figures of speech, expressions or ways of using words in a nonliteral sense."
In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. [1] As Bryan Ray notes, however, style is a broader concern, one that can describe "readers' relationships with, texts, the grammatical choices writers make, the importance of adhering to norms in certain contexts and deviating from them in others, the ...
The grand style may also feature epistrophe (Greek for 'return', [6] also known as epiphoras or epiphora, 'to carry upon' [7]), in which the end parts of clauses are emphasized: Where affections bear rule, their reason is subdued , honesty is subdued , good will is subdued , and all things else that withstand evil for ever are subdued .
Classic (or literary fiction): works with artistic/literary merit that are typically character-driven rather than plot-driven, following a character's inner story. They often include political criticism, social commentary, and reflections on humanity. [1] These works are part of an accepted literary canon and widely taught in schools. Coming-of-age
Elocutio (lexis or phrasis in Greek) [1] [2] is a Latin term for the mastery of rhetorical devices and figures of speech in Western classical rhetoric. [2] Elocutio or style is the third of the five canons of classical rhetoric (the others being inventio, dispositio, memoria, and pronuntiatio) that concern the craft and delivery of speeches and writing.
Shakespeare and His Friends at the Mermaid Tavern (1850, oil on canvas) by John Faed.The painting depicts (from left in back) Joshua Sylvester, John Selden, Francis Beaumont, (seated at table from left) William Camden, Thomas Sackville, John Fletcher, Sir Francis Bacon, Ben Jonson, John Donne, Samuel Daniel, Shakespeare, Sir Walter Raleigh, the Earl of Southampton, Sir Robert Cotton, and ...