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24: Redemption is a soundtrack released by Varése Sarabande and Fox Music for the TV movie, 24: Redemption, which bridged the gap between Season 6 and Season 7. It is the first time the music of Sean Callery has been presented in the form of a single self-contained work. "Prologue — Sangala" (04:07) "Across the Plains" (01:00) "Willie" (02:56)
24 is the soundtrack album, composed by A. R. Rahman with song lyrics by Vairamuthu and Madhan Karky, to the 2016 Tamil film of the same name, produced by Suriya and directed by Vikram Kumar. The album features six tracks and was released on 9 April 2016 by Eros Music .
Last Action Hero (soundtrack) The Last Great Wilderness (album) Laurel and Hardy music; Lead Us Not into Temptation; Leningrad Cowboys Go America (album) Lisztomania (album) The Little Vampire (soundtrack) Live 1965: Music from Charlie Is My Darling; Love and a .45 (soundtrack) Love Me or Leave Me (Doris Day album) Love Me Tender (EP) Lullaby ...
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Calendar is a 2009 Indian Malayalam-language drama film directed by Mahesh and written by Babu Janardhanan, starring Navya Nair, Zarina Wahab in the lead roles along with Prithviraj Sukumaran. It also stars Mukesh , Jagathy Sreekumar and Maniyanpilla Raju in supporting roles.
It is devoted to film scores, source music, and dialogue from movie soundtracks. Dave Ziemer was the channel's founder and its programming director from February 2001 to February 14, 2013, when he was laid off. [1] [2] Chris Panico served as CineMagic' s music director from November 2004 to November 2008, when he was laid off.
Saltburn (Music from the Motion Picture) was released on 28 June 2024 on CD and digital formats. [7] [8] It consists of "indie sleaze" and pop songs popular in the 2000s. [9] [10] The album is also scheduled to be released as a standard red LP, an Amazon-exclusive gold LP, and a picture disc on 23 August 2024.
[11] Matthew Monagle of The Playlist wrote "the soundtrack plays like a never-ending Spotify list of charted ’80s songs". [12] Gary M. Kramer of Salon.com believed that the interspersions with 80s tunes throughout the film were necessary, writing that "the wall-to-wall music keeps viewers engaged because the story is more talk than action". [13]