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The series of "bells" echo the imagined sounds of the various bells, from the silver bells following the klip-klop of the horses, to the "dong, ding-dong" of the swinging golden and iron bells, to screeching "whee-aaah" of the brazen bells. The series are always four, followed by three, always beginning and ending on a stressed syllable.
Many of the original titles given by Browning to the poems in this collection, as with its predecessor Dramatic Lyrics, are different from the ones he later gave them in various editions of his collected works. Since this book was originally self-published in a very small edition, these poems really only came to prominence in the later ...
Dramatic Lyrics is a collection of English poems by Robert Browning, first published in 1842 [1] as the third volume in a series of self-published books entitled Bells and Pomegranates.
The "Song of the Bell" (German: "Das Lied von der Glocke", also translated as "The Lay of the Bell") is a poem that the German poet Friedrich Schiller published in 1798. It is one of the most famous poems of German literature and with 430 lines one of Schiller's longest.
The five stanza poem reflects on the impact that unexpected death has on life by describing the death of a once lively young girl, once loud and energetic, but now silent. The reference to bells alludes to John Donne 's " Devotions upon Emergent Occasions ", which includes the lines, "never send to know for whom the bell tolls; It tolls for thee."
Healing Words: Poetry and Medicine is a sixty-minute documentary (ISBN 978-0-7936-9468-6) filmed in 2008 primarily at Shands at the University of Florida. The production portrays individuals in personal quest to recover psychologically and physically from illnesses that have dramatically changed their lives.
Move over, Wordle and Connections—there's a new NYT word game in town! The New York Times' recent game, "Strands," is becoming more and more popular as another daily activity fans can find on ...
Summoned by Bells, the blank verse autobiography by John Betjeman, describes his life from his early memories of a middle-class home in Edwardian Highgate, London, to his premature departure from Magdalen College, Oxford.