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Letras y figuras (Spanish, "letters and figures") is a genre of painting pioneered by José Honorato Lozano during the Spanish colonial period in the Philippines. The art form is distinguished by the depiction of letters of the alphabet using a genre of painting that contoured shapes of human figures, animals, plants, and other objects called ...
A later theme was the search for Filipino identity, reconciling Spanish and American influence with the Philippines' Asian heritage. [266] Portions of Sa mga Kuko ng Liwanag were published in 1966 and 1967, and were combined in a 1986 novel. [ 267 ]
José Honorato Lozano (1815 or 1821-1885) was a Filipino painter born in Manila.He is best known as the pioneering practitioner of the art form known as Letras y figuras, in which the letters of a patron's name is composed primarily by contoured arrangements of human figures surrounded by vignettes of scenes in Manila - an art form that may have derived loosely from illuminated manuscripts. [4]
Fernando Amorsolo y Cueto (May 30, 1892 – April 24, 1972) was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," [2] he was the first-ever to be recognized as a National Artist of the Philippines. [3]
National Library of the Philippines: Ink on paper: The cover depicts symbols of the Filipino condition during the Spanish colonial period: View of a public square in Berlin: Vista de Gendarmenmarkt en Berlin National Museum of Fine arts of the Philippines: Graphite on paper: View of a public square in Berlin drawn up by Rizal during a visit. [21]
The santero culture in the Philippines is widely prevalent among Filipino Catholics, having been influenced by centuries of Spain colonial rule and various forms of folk Catholicism. The earliest recorded vested santo in the Philippines is the Santo Niño de Cebu, a baptismal gift given by Ferdinand Magellan to Rajah Humabon's consort in 1521.
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España y Filipinas (“Spain and the Philippines") is a series of oil on wood paintings [1] [2] by Filipino painter, Ilustrado, and revolutionary activist, Juan Luna.It is an allegorical depiction [3] of two women together, one a representation of Spain and the other of the Philippines. [4]
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