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Da capo al segno (D.C. al Segno), "From the beginning to the sign (𝄋)." [3] In operas of the 18th century, dal segno arias were a common alternative to da capo arias which began with an opening ritornello, which was then omitted in the repeat (the sign being placed after the ritornello).
The song was written in the key of A minor. [2] It is driven by an acoustic guitar line with layers of electric guitar (both rhythm and lead), electric bass guitar, and sung by Lake, with some backing on drums (played by Carl Palmer with congas, tympani mallets and without cymbals), and with a distinctive closing synthesizer solo from Keith Emerson, accompanied by overdubbed synthesizer sounds.
If the piece has one repeat sign alone, then that means to repeat from the beginning, and then continue on (or stop, if the sign appears at the end of the piece). A corresponding sign facing the other way indicates where the repeat is to begin. These are similar to the instructions da capo and dal segno. Repeat. Wiederholungszeichen (Ger.
Da Capo al Coda (often abbreviated as D.C. al Coda): Repeat from beginning to an indicated place and then play the tail part (the "Coda"). It directs the musician to go back and repeat the music from the beginning ("Capo"), and to continue playing until one reaches the first coda symbol. Upon reaching the first coda symbol, skip to the second ...
From the Beginning may refer to: "From the Beginning" (song), a 1972 song by Emerson, Lake & Palmer; From the Beginning, a box set by Emerson, Lake & Palmer; From the Beginning (Small Faces album), 1967; From the Beginning (Deniece Williams album), 1990; From the Beginning, an album by Yolandita Monge; From the Beginning, an album by The Damned
Suzannah Clark, a music professor at Harvard, connected the piece's resurgence in popularity to the harmonic structure, a common pattern similar to the romanesca.The harmonies are complex, but combine into a pattern that is easily understood by the listener with the help of the canon format, a style in which the melody is staggered across multiple voices (as in "Three Blind Mice"). [1]
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