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This Paul Rivera-specified Fender guitar amplifier was introduced in 1982 to replace the Princeton Reverb. [1] It was a completely different and significantly more powerful amplifier. [2] Designed by Ed Jahns, it featured a built-in reverb, treble boost and mid boost controls, and a switchable lead (overdrive) effect.
Fender Princetons (as well as their sister amp the Princeton Reverb) from the early models into the 1970s models are highly valued particularly as recording amplifiers. The first Princeton, the "Woody" (so called for its uncovered wooden cabinet), was the smallest of the original Fender line of three amplifiers, an incredibly basic 3-watt ...
Fender amplifiers would become favorites of guitarists like Jimi Hendrix, Eric Clapton, and Stevie Ray Vaughan, also known in these cases for playing Fender guitars. Fender amps have come in many configurations and styles. The early K&F and Fender amplifiers relied upon vacuum tube circuitry, with solid-state models appearing in the late 1960s ...
The Hot Rod Deluxe is an all tube combo amp rated at 40 watts. It utilizes a single 12-inch Celestion A-Type Speaker. The Hot Rod Deluxe is a mono-channel amplifier featuring 3 switchable gain levels: "Clean", "Drive", and "More Drive" selectable on either the control panel or footswitch (if plugged in).
The Hot Rod DeVille is a modified version of the earlier Fender Blues DeVille from the Blues amplifier line and has a higher level of gain in its preamplification signal. The DeVille incorporates a 60 watt amplifier and has been offered in two different models: a 212, with 2, 12-inch speakers and a 410, with 4, 10-inch speakers. The 410 ...
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This resulted in the Bandmaster Reverb having reduced power over the standard model and increased sag and power amp break up. The revised circuit also places the gain stage within the reverb recovery circuit which causes the amp to break up earlier. These series amps offer the designations AA768, AA568, AA1069 and TFL5005.
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