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Evening gowns were accompanied by elbow length gloves, and day costumes were worn with short or opera-length gloves of fabric or leather. Manufacturers and retailers introduced coordinating ensembles of hat, gloves and shoes, or gloves and scarf, or hat and bag, often in striking colours. [ 18 ]
These afternoon or "tea gowns" were less form-fitting than evening dresses, featured long, flowing sleeves, and were adorned with sashes, bows, or artificial flowers at the waist. For evening wear the term "cocktail dress" was invented in France for American clientele. With the "New Woman" also came the "Drinking Woman".
[26] [27] She also regularly used clutch bags in the mid 1990s, which became known as 'cleavage bags', as she would often use them to cover her cleavage when exiting cars. [28] A clutch bag created by Salvatore Ferragamo S.p.A. for her in 1990 was named "Diana clutch" in her honour. [29]
Fashion historians ascribe the origins of the little black dress to the 1920s designs of Coco Chanel. [1] It is intended to be long-lasting, versatile, affordable, and widely accessible. Its ubiquity is such that it is often simply referred to as the "LBD". [2] [3] [4] The little black dress is considered essential to a complete wardrobe.
The model is a Givenchy black Italian satin sheath evening gown. Christie's describes it as "a sleeveless, floor-length gown with fitted bodice embellished at the back with distinctive cut-out décolleté, the skirt slightly gathered at the waist and slit to the thigh on one side, labelled inside on the waistband Givenchy; accompanied by a pair of black elbow-length gloves". [9]
Edgar-Jones slipped into a black suit jacket, cinching the structured coat with a thin Gucci belt. Below, she wore a pair of casual blue jeans, as well as a strappy pair of leather ballet flats.
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