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Seven Inches of Satanic Panic is the third EP by the Swedish rock band Ghost.First released digitally on 13 September 2019 by Loma Vista Recordings, it features the songs "Kiss the Go-Goat" and "Mary on a Cross", written by vocalist Tobias Forge along with songwriters Salem al Fakir and Vincent Pontare.
[1] [2] The music was by Getty and the original lyrics by Townend. It was composed in 2001. "In Christ Alone" is considered a Christian credal song for belief in Jesus Christ. The theme of the song is the life, death and resurrection of Christ, [3] and that he is God whom even death cannot hold.
"Ferry Cross the Mersey" is a song written by Gerry Marsden. It was first recorded by his band Gerry and the Pacemakers and released in late 1964 in the UK and in 1965 in the United States. It was a hit on both sides of the Atlantic, reaching number six in the United States [ 2 ] and number eight in the UK. [ 3 ]
Pietro Perugino's depiction of Mary at the Cross, 1482. (National Gallery, Washington) The Stabat Mater is a 13th-century Christian hymn to the Virgin Mary that portrays her suffering as mother during the crucifixion of her son Jesus Christ. Its author may be either the Franciscan friar Jacopone da Todi or Pope Innocent III.
"There is the surface meaning, forging sexuality with pop lyrics that sound so sweet. But underlying that is a rigorous mediation on prayer. In shorter words, 'Like a Prayer' really takes you there", O'Brien concluded. [13] This view was shared by Mary Cross, who wrote in her biography of Madonna that "the song is a mix of the sacred and the ...
1964 – Peter, Paul and Mary, on the album In Concert, allegedly written by group members Peter Yarrow, Milton T. Okun and Mary Allin Travers; 1969 – Sister Rosetta Tharpe. Included on the compilation albums How Sweet It Was (2010) and Good Feeling (2011) 1976 – Dave Van Ronk, on the album Sunday Street
Take a look at every state ranked by how much each parent is going to spend on each kid this holiday season.
Hymns to Mary began to flourish with the growing veneration of the Virgin Mary in the 11th and 12th centuries, and the Ave Maria became well established. [14] Marian hymns in the Western Church grew even faster during the 13th century as the Franciscans began to compose a number of lasting hymns.