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Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
Uki-e (浮絵, "floating picture", implying "perspective picture") refers to a genre of ukiyo-e pictures that employs western conventions of linear perspective. Although they never constituted more than a minor genre, pictures in perspective were drawn and printed by Japanese artists from their introduction in the late 1730s through to the mid ...
Shita-e drawings are still used in the present time, with rough sketches and more refined brush paintings, on different kinds of paper with and without corrections, depending on the artist. Moreover, since the final drawing will be carved away, the drawings that would remain would be either sketches or copies of the final shita-e.
Even as other schools and styles emerged over the course of the 18th century, the Torii style remained at the core of ukiyo-e. It was something every artist had to either embrace and elaborate on, or to reject entirely. The Torii style, even in paintings and prints, continued to be derived directly from the clan's work for the kabuki theaters.
A bijinga hanging scroll painting by Kaigetsudō Ando.. Nikuhitsu-ga (肉筆画) is a form of Japanese painting in the ukiyo-e art style. The woodblock prints of this genre have become so famous in the West as to become almost synonymous with the term "ukiyo-e", but most ukiyo-e artists were painters as well as printmakers, with much the same style and subjects.
Toyoharu was the first to make the landscape a subject of ukiyo-e art, rather than just a background to figures and events. By the 1780s he had turned primarily to painting. The Utagawa school of art grew to dominate ukiyo-e in the 19th century with artists such as Utamaro, Hiroshige, and Kuniyoshi.
Masanobu was one of the most influential innovators of the ukiyo-e form, introducing the comic album, the pillar, two-colour, and lacquer prints, and popularizing Western-style perspective drawing. His career saw ukiyo-e evolve from its monochromatic origins to the verge of the full-colour nishiki-e revolution of Suzuki Harunobu's time. [1]
Toyokuni Utagawa by Kunisada. Utagawa Toyokuni (Japanese: 歌川豊国; 1769 in Edo – 24 February 1825 in Edo), also often referred to as Toyokuni I, to distinguish him from the members of his school who took over his gō after he died, was a great master of ukiyo-e, known in particular for his kabuki actor prints.
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