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Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
Stained glass is colored glass as a material or works created from it. Although, it is traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensional structures and sculpture.
The general characteristics of French stained glass in this period include whole panels filled with decorative canopy work, almost all in white, with just touches of stain. The canopy designs were intricate patterns of line and form to accompany the intricate details of the Flamboyant interiors.
The 13 small [1] stained-glass panels depict scenes from the story of Sir Tristram and la Belle Isoude as told in Sir Thomas Malory's Morte d'Arthur. [2] [3] [4] They were commissioned by Walter Dunlop, a Bradford textile merchant, for a new music room to be built at Harden Grange, his house near Bingley, Yorkshire, and were designed and executed in 1862 by Morris, Marshall, Faulker & Co., the ...
Tracery is an architectural device by which windows (or screens, panels, and vaults) are divided into sections of various proportions by stone bars or ribs of moulding. [1] Most commonly, it refers to the stonework elements that support the glass in a window.
Etched quarries of Venetian glass are often employed, sometimes in conjunction with panels of stained glass, particularly in Italy and Eastern Europe. Lathe-cut quarries with a simple star-burst pattern are very common in the late 19th century domestic architecture of many regions, both in leadlighting and in simpler wooden-framed glazing.
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