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The Time Variance Authority (TVA) first appeared in Thor #372 (October 1986). [1] Created by Walt Simonson and Sal Buscema, the TVA originally paid homage to long-time Marvel writer/editor and continuity expert Mark Gruenwald: the TVA staff were all visually designed as clones of Gruenwald (the classification system for alternate realities—the Marvel multiverse—was devised, in part, by ...
The Black Widows are a group of assassins, part of the Red Room program led by General Dreykov. The program takes young orphan girls and turns them into elite assassins named "Black Widows", and is overseen by various individuals, including Madame B. and Melina Vostokoff. Graduates of the program include Natasha Romanoff and Yelena Belova. The ...
Mobius M. Mobius first appeared in Fantastic Four #346, cover date November 1990, created by writer/artist Walter Simonson. [2] [3] Cloned managers for the Time Variance Authority that resemble Mark Gruenwald [4] — and, later, Tom DeFalco [citation needed] — both longtime Marvel Comics writers.
Artificial intelligence Miss Minutes shows Ravonna Renslayer a recording from the past, showing that He Who Remains thanked Renslayer for her help in his war and proposed that she lead the Time Variance Authority (TVA) together with him, but when she returned to the TVA, He Who Remains commanded Miss Minutes to erase the memories of Renslayer and other TVA employees.
It sees Loki working with Mobius M. Mobius, Hunter B-15, and other members of the Time Variance Authority (TVA) to navigate the multiverse in order to find Sylvie, Ravonna Renslayer, and Miss Minutes. The episode is set in the Marvel Cinematic Universe (MCU), sharing continuity with the films of the franchise.
In the pages of Fantastic Four, Walt Simonson paid homage to Gruenwald by having the Time Variance Authority (TVA)'s staff all be clones of Gruenwald; no one could keep track of everything but him. Gruenwald was a recurring character with Tom DeFalco in the single-panel comic The Bull's Eye that ran in Marvel comics in the late 1980s–early ...
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Bullington suggested a drive-through be built at the set location, given they had become a popular feature of McDonald's restaurants at that time following their introduction in 1975. [21] Visual effects for the episode were created by FuseFX , Industrial Light & Magic , Yannix, SDFX Studios, Framestore , Trixter , Cantina Creative , and Lola VFX .