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All That Jazz is a 1979 American musical drama film directed by Bob Fosse and starring Roy Scheider.The screenplay, by Robert Alan Aurthur and Fosse, is a semi-autobiographical fantasy based on aspects of Fosse's life and career as a dancer, choreographer and director.
"All That Jazz" is a song from the 1975 musical Chicago. It has music by John Kander and lyrics by Fred Ebb , and is the opening song of the musical. The title of the 1979 film , starring Roy Scheider as a character strongly resembling choreographer /stage and film director Bob Fosse , is derived from the song.
"Hands to Heaven" is a ballad by English new wave band Breathe, taken from their debut studio album, All That Jazz (1987). The song released as their fifth UK single on 20 October 1987 by A&M Records and as the band's second single in the US the following year.
Although the film version, directed by Bob Fosse, featured Dustin Hoffman, Gorman was recruited to portray a Dustin Hoffman-like character portraying Lenny Bruce in a side-story in Fosse's autobiographical film All That Jazz (1979). [5] [6]
In 1994, [21] In 1995, she choreographed the ABC television movie version of Bye Bye Birdie. [22] Reinking had retired from performing by this time. In 1996, she was asked to create the choreography "in the style of Bob Fosse" for an all-star four-night-only concert staging of Chicago for City Center's annual Encores! Concert Series.
"How Can I Fall?" is a song by British band Breathe, written by the group members David Glasper and Marcus Lillington. It was released in June 1988 as the second single from their debut studio album, All That Jazz (1987).
The phrase and all that jazz means "and other such things", "and all that sort of thing". It is recorded in print in this sense as early as 1959, and was associated with the city of Chicago in Frank Sinatra's 1964 rendition of "My Kind of Town", where the lyric "Chicago is my kind of razzmatazz, and it has all that jazz" is sung.
It has been covered by many jazz and blues artists. The first recording, by Nat King Cole in 1953, achieved some popularity but was not among that year's top 20 songs. It was Bobby Darin's version from his 1959 album of the same title that introduced the song to a wider audience, [1] and it has since become a jazz standard. [citation needed]
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