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In geometry, a golden rectangle is a rectangle with side lengths in golden ratio +:, or :, with approximately equal to 1.618 or 89/55. Golden rectangles exhibit a special form of self-similarity : if a square is added to the long side, or removed from the short side, the result is a golden rectangle as well.
A golden rectangle—that is, a rectangle with an aspect ratio of —may be cut into a square and a smaller rectangle with the same aspect ratio. The golden ratio has been used to analyze the proportions of natural objects and artificial systems such as financial markets , in some cases based on dubious fits to data. [ 8 ]
The root-3 rectangle is also called sixton, [6] and its short and longer sides are proportionally equivalent to the side and diameter of a hexagon. [7] Since 2 is the square root of 4, the root-4 rectangle has a proportion 1:2, which means that it is equivalent to two squares side-by-side. [7] The root-5 rectangle is related to the golden ratio ...
For example, a golden spiral can be approximated by first starting with a rectangle for which the ratio between its length and width is the golden ratio. This rectangle can then be partitioned into a square and a similar rectangle and this rectangle can then be split in the same way. After continuing this process for an arbitrary number of ...
For example, the aspect ratio of a rectangle is the ratio of its longer side to its shorter side—the ratio of width to height, [1] [2] when the rectangle is oriented as a "landscape". The aspect ratio is most often expressed as two integer numbers separated by a colon (x:y), less commonly as a simple or decimal fraction. The values x and y do ...
Given a rectangle with a longer side, x, and a shorter side, y, ensuring that its aspect ratio, x / y , will be the same as that of a rectangle half its size, y / x/2 , which means that x / y = y / x/2 , which reduces to x / y = √ 2; in other words, an aspect ratio of 1: √ 2.
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The Sacrament of the Last Supper (1955): The canvas of this surrealist masterpiece by Salvador Dalí is a golden rectangle. A huge dodecahedron, with edges in golden ratio to one another, is suspended above and behind Jesus and dominates the composition. [11] [40]