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SoundExchange is designated by the Librarian of Congress as the sole organization authorized to collect royalties paid by services making ephemeral phonorecords or digital audio transmissions of sound recordings, or both, under the statutory licenses set forth in 17 U.S.C. § 112 and 17 U.S.C. § 114.
Sound Exchange is also lobbying desperately (by way of MusicFIRST) to collect from terrestrial sources. For better or worse, this will be at the expense of writers and publishers who now collect by way of ASCAP, BMI, and SESAC. The reason so many recording artists lose their Sound Exchange royalties is because they're unaware of its existence.
Morrisound Recording (also Morrisound Studios) is an audio recording facility in Tampa, Florida, United States, owned and operated by brothers Jim and Tom Morris.Since its opening in 1981, Morrisound has been responsible for the popularization of death metal, but caters to other genres.
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Eventide was founded by recording engineer Stephen Katz, inventor Richard Factor, and businessman/patent attorney Orville Greene. The business was founded in the basement of the Sound Exchange, a recording studio located at 265 West 54th Street in New York City and owned by Greene.
Sal Randolph (born May 30, 1959) is an American artist and theorist who works with issues of gift-giving, money, alternate economies, and social architecture.She founded the non-curated sound-exchange web project Opsound, [2] [3] which functions through the use of music released exclusively under a copyleft license, and has been cited by Lawrence Lessig as an example of how Creative Commons ...
[3] [4] [5] In the mid-1980s through early-1990s, the state of Florida, especially the Tampa Bay area, became the center of development for the death metal genre, earning the Tampa Bay area the colloquial title of "capital of death metal".