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Liquid light shows (or psychedelic light shows) [not verified in body] are a form of light art that surfaced in the early 1960s as accompaniment to electronic music and avant-garde theatre performances. They were later adapted for performances of rock or psychedelic music.
It was known for its psychedelic art and served as a lighting backdrop behind many live band performances during the late 1960s and early 1970s. Joshua White studied electrical engineering, theatrical lighting, and magic lantern techniques at Carnegie Tech and also film making at University of Southern California.
Liquid Light Art is an artform which derived from the liquid light (live) shows from the 60's and 70's in combination with advanced photography. A Liquid Light Artefact is a printed still of a liquid light show. Liquid Light Art is a subgenre of psychedelic art.
CoSM will host a three-day art intensive titled "BODY & SOUL" at the compound's newly-renovated MAGI Art Lab on Nov. 8-10. Participate in live drawing sessions featuring a nude model, experience ...
Steve Greene of IndieWire described Cake as an "ideal variety series for TV in its current form," writing, "Through it all, most — if not all — of “Cake” occupies a valuable middle ground of surreality that lets these creative visions flourish. The series standout element, Alex Karpovsky and Teddy Blanks’ “Oh Jerome, No” is an ...
The Psychedelic era was the time of social, musical and artistic change influenced by psychedelic drugs, occurring from the mid-1960s [1] to the mid-1970s. [2] The era was defined by the proliferation of LSD and its following influence in the development of psychedelic music and psychedelic film in the Western world .
The West Coast Pop Art Experimental Band (WCPAEB) was an American psychedelic rock band formed in Los Angeles, California, in 1965. The group created music that possessed an eerie, and at times sinister atmosphere, and contained material that was bluntly political, childlike, and bizarre.
Life Magazine's cover and lead article for the September 1, 1967 issue at the height of the Summer of Love focused on the explosion of psychedelic art on posters and the artists as leaders in the hippie counterculture community. Psychedelic light-shows were a new art-form developed for rock concerts.