Search results
Results from the WOW.Com Content Network
[44] [45] [46] Who's That Girl was a commercial success, grossing in total of US$25 million by playing in front of 1.5 million audience members. [47] According to Performance Magazine , it was the second top selling female concert tour of 1987, behind Tina Turner 's Break Every Rule Tour .
Madonna's 1987 film Who's That Girl was a box office failure, [3] however the soundtrack of the film proved to be a big success. The album consisted of four Madonna songs, along with tracks by Warner Bros. Records' acts including Club Nouveau, Scritti Politti and Michael Davidson. [4]
In Germany, Who's That Girl debuted at the top of the charts, remaining there for two weeks and earning a gold certification from BVMI. [77] [78] The album also reached the top of the charts on the European Top 100 Albums chart. [79] Who's That Girl also reached the top-ten of the charts in France, Japan, Netherlands, Norway, Spain, Sweden and ...
"24 Hours" (or "Twenty Four Hours"), a 1953 song by Eddie Boyd "24 Hours", a 1983 song by 10cc from Windows in the Jungle "24 Hours", a song by Duncan Faure from the 1987 soundtrack Who's That Girl
"Who's That Girl" 1987 Peter Rosenthal The video portrays Madonna dressed in Spanish style as a young lady in search of a treasure. It includes scenes from the film Who's That Girl. [53] "Like a Prayer" 1989 Mary Lambert The video portrays Madonna to be a witness of an interracial murder and goes to pray in a church.
Netflix's new film "Woman of the Hour" is based on a true story about serial killer Rodney Alcala. In real life, Alcala competed on "The Dating Game" and won a date with bachelorette Cheryl Bradshaw.
"Woman of the Hour" includes a postscript that references the real-life inspiration for the character Amy. Hoyt was a 15-year-old runaway when she met Alcala on February 14, 1979.
"Who's That Girl?" is a song by British pop duo Eurythmics. It was written by band members Annie Lennox and David A. Stewart and produced by Stewart. In the UK, it was released in June 1983, several months in advance of their third studio album Touch (1983), on which the track eventually appeared.