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Macbeth (Italian pronunciation: [ˈmakbet; makˈbɛt]) [1] is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, Macbeth was Verdi's tenth opera and premiered on 14 March ...
Giuseppe Verdi The following is a list of published compositions by the composer Giuseppe Verdi (1813–1901). The list includes original creations as well as reworkings of the operas (some of which are translations, for example into French or from French into Italian) or subsequent versions of completed operas.
In following Salvadore Cammarano as Verdi's main mid-career librettist, Piave firstly wrote Ernani in 1844, and then I due Foscari (1844), Attila (1846), Macbeth (the 1847 first version), Il Corsaro (1848), Stiffelio (1850), Rigoletto (1851), La traviata (1853), Simon Boccanegra (the 1857 first version), Aroldo (1857), La forza del destino (the ...
Il corsaro (The Corsair) is an opera in three acts by Giuseppe Verdi, from a libretto by Francesco Maria Piave, based on Lord Byron's 1814 poem The Corsair. The first performance was given at the Teatro Grande in Trieste on 25 October 1848.
The Macbeth ColorChecker, a color calibration target "Macbeth", a song by John Cale from Paris 1919; Macbeth, a fictional planet in the video game Star Fox and its reboot Star Fox 64; The Tragedy of Macbeth Part II: The Seed of Banquo, a sequel in verse by Noah Lukeman; Hamish Macbeth, main character in a mystery novel series by M. C. Beaton
1847 Macbeth (Verdi). Verdi's first venture into Shakespeare. [87] 1847 Martha (Friedrich von Flotow). Flotow unashamedly aimed at satisfying popular taste in this comic and sentimental work set in the England of Queen Anne. [89] 1849 Die lustigen Weiber von Windsor (Otto Nicolai). Nicolai's only German opera has been his most lasting success. [90]
Verdi's first Shakespeare-influenced opera, with libretto by Francesco Maria Piave, incorporated a number of striking arias for Lady Macbeth, giving her a prominence in the early part of the play which contrasts with the character's increasing isolation as the action continues: she ceases to sing duets and her sleepwalking confession is starkly ...
A libretto is distinct from a synopsis or scenario of the plot, in that the libretto contains all the words and stage directions, while a synopsis summarizes the plot. Some ballet historians also use the word libretto to refer to the 15- to 40-page books which were on sale to 19th century ballet audiences in Paris and contained a very detailed ...
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