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As African masks are largely appropriated by Europeans, they are widely commercialized and sold in most tourist-oriented markets and shops in Africa (as well as "ethnic" shops in the Western world). As a consequence, the traditional art of mask-making has gradually ceased to be a privileged, status-related practice, and mass production of masks ...
The Woyo masks are typically made out of wood, and painted with contrasting colors, often in dots and the colors used had symbolic meaning and were even sometimes repainted, symbolizing rebirth, or to restore the power of the mask. [1] They were worn in ceremonial dances known as the ndunga. They are also decorated with sacred objects known as ...
A Punu-Lumbo mask. A Punu-Lumbo mask is a tribal mask native to the Ogooué River basin in Gabon, especially in the south in Ngounié Province. [1] The masks are extremely valuable to collectors of African art, and have been sold at Sotheby's for well over $400,000. [2]
The Benin ivory mask is a miniature sculptural portrait in ivory of Idia, the first Iyoba (Queen Mother) of the 16th century Benin Empire, taking the form of a traditional African mask. [1] The masks were looted by the British from the palace of the Oba of Benin in the Benin Expedition of 1897 .
Kuba initiation rites for boys and young men and associated masquerade figures are related to mukanda initiation rites, practiced by many peoples residing in the southern savanna of Central Africa from Angola, through the Democratic Republic of Congo and into western London, including Chokwe, Lwena, Luvale, Lwembe, Chesterfield, Mbunda, Mbwela, Yaka, Suku, Pende, and southern Lunda.
According to Ki Leonce, executive director of ASAMA, "There are two aspects about masks. One is cult and the other is culture; there might be a religious conflict for people who venerate masks, but there is no conflict from the cultural point." [8] The original FESTIMA, held in 1996, was four days long, and the event has since expanded to seven ...
Often strips of raffia, which are pieces of fiber from the raffia palm, are attached to the mask. The white color of these masks is associated with things like the spirits of ancestors, death, and male virility or manhood. [2] Most Ngil masks are an oval shape featuring a broad forehead with an elongated chin and nose.
Pages in category "Masks in Africa" The following 19 pages are in this category, out of 19 total. This list may not reflect recent changes. ...
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