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"Poem for a Birthday" is a poem by American poet Sylvia Plath, dated 7 November, 1959 and first appearing in the collection The Colossus and Other Poems published by Heinemann in 1960, by Alfred A. Knopf in 1962, and by Faber & Faber in 1976.
Sylvia Plath (/ p l æ θ /; October 27, 1932 – February 11, 1963) was an American poet and author.She is credited with advancing the genre of confessional poetry and is best known for The Colossus and Other Poems (1960), Ariel (1965), and The Bell Jar, a semi-autobiographical novel published shortly before her suicide in 1963.
Reading the poem on a BBC radio programme, Plath explained the significance of the title: All through the poem, I have in mind the enigmatic figures in this painting—the three terrible faceless dressmaker’s dummies in classical gowns…the dummies suggest a twentieth-century version of other sinister trios of women - the Three Fates , the ...
Plath reported that while caring for her two children during the winter of 1962 she wrote “a poem a day before breakfast.” [3] “Elm” was inspired by an enormous wych-elm that shaded the Devon house, “growing on a shoulder of a moated prehistoric mound.” [ 4 ]
The list below includes the poems in the US version of the collection, published by Heinemann in 1960. [1] This omits several poems from the first UK edition, published by Faber & Faber in 1967, [2] including five of the seven sections of "Poem for a Birthday", only two of which ("Flute Notes from a Reedy Pond" and "The Stones") are included in the US edition.
Yew tree. Plath composed “The Moon and the Yew Tree” while living with fellow poet and spouse Ted Hughes at his family’s estate in Devon, England.The poem was conceived as an “exercise” in which Hughes challenged Plath to respond in verse to the full moon setting over a yew tree in a churchyard visible from her bedroom window.
"Two Lovers and a Beachcomber by the Real Sea" is a poem written by Sylvia Plath that was first published in 1955, the year she graduated from Smith College summa cum laude. [1] An abstract poem about an absent lover, it uses clear, vivid language to describe seaside scenery, with "a grim insistence" on reality rather than romance and imagination.
Plath uses personification in "Mad Girl's Love Song", giving the stars in the ability to "waltz" and darkness the ability to "gallop". Plath uses anaphora, repeating the pronoun "I" at the beginning of 13 of the 19 lines within the poem. The continued recurrent imagery of isolation and darkness juxtaposed with fiery and loud imagery also ...