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See more works by Edward Hopper: And Hopper's "East Wind Over Weehawken" went for nearly double that price. It was expected to sell for between $22 and $28 million but went for $40.5 million, an ...
Edward Hopper (July 22, 1882 – May 15, 1967) was an American realist painter and printmaker.He is one of America's most renowned artists and known for his skill in capturing American life and landscapes through his art.
Hopper returned to the town to paint several times over the next two decades. [4] In February 1913, Hopper was encouraged to submit work to the Armory Show. The committee accepted his painting Sailing (1911), where it sold for $250. Hopper was 30 years old, and it was his first sale ever, and his last for the next ten years. [3] Sailing (1911)
Title Medium Date Collection Dimensions Image Cylinder: Charcoal on paper: 1894: Whitney Museum of American Art: 37.9 cm × 27.3 cm (14 15/16 in. × 10 3/4 in.)
East Wind Over Weehawken is a 1934 oil painting on canvas by American realist painter Edward Hopper. It was held in the collection of the Pennsylvania Academy of Fine Arts in the United States from 1952 until its sale to an anonymous buyer in December 2013. That sale brought a record price for a Hopper.
Starting shortly after their marriage in 1924, Edward Hopper and his wife Josephine (Jo) kept a journal in which he would use a pencil, make a sketch-drawing of each of his paintings, along with a detailed description of specific technical details. Jo Hopper would then add additional information about the theme of the painting.
Sun in an Empty Room is a 1963 painting by American realist Edward Hopper (1882–1967). Created during his late period at his Cape Cod summer home and studio in South Truro, Massachusetts, the painting was completed just four years prior to his death at the age of 84.
Edward Hopper’s artwork is known for its realistic scenes that touch themes of isolation and self-being rather than a narrative context. He often described his art as a "transcription [of his] most intimate impressions of nature", meaning he related the process of painting to that of memory. [ 3 ]
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