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"Careful with That Axe, Eugene" is an instrumental piece by the English rock band Pink Floyd. [3] It was recorded in November 1968 and released as the B-side to the single "Point Me at the Sky", and featured on the 1971 compilation album Relics.
Both the E major and E minor chords feature the ninth, making this song one of many Pink Floyd songs to feature a prominent E minor added ninth chord, "Em(add9)". Throughout most of the song, the bass line remains on E as a pedal point, creating a drone. In the instrumental interlude, however, the chords change completely to A minor and B minor ...
"Cirrus Minor" has an unusual chord sequence: E minor, E flat augmented, G major, C♯ minor 7, C major 7, C minor 7 and B 7. The chords are built around the chromatically descending bass line. The B 7, C major 7 and G major chords are the only chords which fit into the functional context of the E minor key.
The main theme features what were, for Pink Floyd, rather unusual chords. In the final version's key of D minor, the chords are D minor ninth, E♭maj7 sus2 /B♭, Asus2sus4, and A♭sus2. All these chords contain the tonic of the song, D—even as a tritone, as is the case in the fourth chord. [4] [5] [6]
[7] They went on further saying "[San Tropez] adds another diverse dimension to the album with its easy-going crooner-like melody and atmosphere." [7] This song was one of several to be considered for the band's 2001 greatest hits album, Echoes: The Best of Pink Floyd, but it was ultimately not included. [8]
"Paint Box" (or, "Paintbox" on later reissues) is a song by the English rock band Pink Floyd, written and sung by keyboardist Richard Wright. [3] [4] It was first released in 1967 as the B-side to the single "Apples and Oranges".
"The Great Gig in the Sky" is the fifth track [nb 1] on The Dark Side of the Moon, a 1973 album by English rock band Pink Floyd. The song features music by keyboard player Richard Wright and improvised, wordless vocals by session singer Clare Torry. It is one of only three Pink Floyd songs to feature lead vocals from an outside artist.
The song was re-recorded for the 1981 Pink Floyd album, A Collection of Great Dance Songs, because Capitol Records refused to licence the track to Columbia Records in the United States. [26] With the help of co-producer James Guthrie , David Gilmour re-recorded the song, providing the vocals and playing all the instruments except saxophone ...
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