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Abide with Me; All Creatures of Our God and King; All for Jesus, All for Jesus; All Glory, Laud and Honour; All Hail the Power of Jesus' Name; All My Hope on God is Founded; All Things Bright and Beautiful; Alleluia! Sing to Jesus; And did those feet in ancient time; Angel Voices, Ever Singing; As with Gladness Men of Old; At the Name of Jesus
O Thou who changest not, abide with me. Not a brief glance I beg, a passing word, But as Thou dwell'st with Thy disciples, Lord, Familiar, condescending, patient, free. Come not to sojourn, but abide with me. Come not in terror, as the King of kings, But kind and good, with healing in Thy wings; Tears for all woes, a heart for every plea.
Abide with Me: C-H-R-I-S-T-M-A-S: Folk Album: 1972 Mr. Words and Music: Standin' in the Need of Prayer: 1973 Country Morning: 46 Ernie Ford Sings About Jesus: 1974 Make A Joyful Noise: 35 1975 Ernie Sings & Glen Picks (w/ Glen Campbell) 1976 Sing His Great Love: For the 83rd Time: 1977 He Touched Me: Word Records: 1978 Swing Wide Your Golden ...
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The hymn appears as number 46 in the Seventh-day Adventist Hymnal and number 165 of the hymnbook of The Church of Jesus Christ of Latter-day Saints.. It has also been published in the 1978 Hymns of Praise edited by Reuel Lemmons; the 1971 Songs of the Church and the 1990 Songs of the Church 21st Century Edition both edited by Alton H. Howard; both the 1978 and 1983 Church Gospel Songs and ...
William Henry Monk (16 March 1823 – 1 March 1889 [1]) was an English organist, Anglican church musician, and music editor who composed popular hymn tunes, including "Eventide", used for the hymn "Abide with Me", and "All Things Bright and Beautiful". He also wrote music for church services and anthems. [1]
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
The stereo version was released nine months after the mono release, in August 1958. [8] It has been noted that the mixes of these releases are extremely different. The stereo mix, while featuring the same performances as does the mono version, used an entirely different set of microphones, suspended from the ceiling, while the mono release used ...
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