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Abide with Me; All Creatures of Our God and King; All for Jesus, All for Jesus; All Glory, Laud and Honour; All Hail the Power of Jesus' Name; All My Hope on God is Founded; All Things Bright and Beautiful; Alleluia! Sing to Jesus; And did those feet in ancient time; Angel Voices, Ever Singing; As with Gladness Men of Old; At the Name of Jesus
It uses a popular 1861 melody by William Henry Monk, [2] "Eventide", which is used for several hymns in English, notably the 1847 hymn "Abide with Me" by Henry Francis Lyte. The song has three stanzas of four lines each, from the position of one of the disciples. In the first stanza, the singer addresses the "Wandrer durch die Zeit" (wanderer ...
O Thou who changest not, abide with me. Not a brief glance I beg, a passing word, But as Thou dwell'st with Thy disciples, Lord, Familiar, condescending, patient, free. Come not to sojourn, but abide with me. Come not in terror, as the King of kings, But kind and good, with healing in Thy wings; Tears for all woes, a heart for every plea.
A chord chart. Play ⓘ. A chord chart (or chart) is a form of musical notation that describes the basic harmonic and rhythmic information for a song or tune. It is the most common form of notation used by professional session musicians playing jazz or popular music.
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The hymn appears as number 46 in the Seventh-day Adventist Hymnal and number 165 of the hymnbook of The Church of Jesus Christ of Latter-day Saints.. It has also been published in the 1978 Hymns of Praise edited by Reuel Lemmons; the 1971 Songs of the Church and the 1990 Songs of the Church 21st Century Edition both edited by Alton H. Howard; both the 1978 and 1983 Church Gospel Songs and ...
Abide with Me is a Christian hymn composed by Henry Francis Lyte in 1847. Abide with Me may also refer to: Abide with Me, a 2006 novel by Elizabeth Strout; Abide with Me, a 1935 play by Clare Boothe Luce; A television drama based on A Child in the Forest by Winifred Foley
The stereo version was released nine months after the mono release, in August 1958. [8] It has been noted that the mixes of these releases are extremely different. The stereo mix, while featuring the same performances as does the mono version, used an entirely different set of microphones, suspended from the ceiling, while the mono release used ...
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