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The collection of songs that became V was never intended to be released as an album. Guitarist Chad Taylor said, "The goal was to prepare songs for the next studio session. MCA got a hold of the material and pushed us to call it an album." The songs were originally going to be released free to fans as a collection called Ecstatic Fanatic.
Indonesian singer Cakra Khan and Malaysian singer Hafiz Suip provided the vocals for duets "Seluruh Cinta" and "Muara Hati" respectively. Siti has covered and recorded two songs that were previously released by Canadian singer Celine Dion, "Because You Loved Me" and "The Colour of My Love".
Here We Go Again: Celebrating the Genius of Ray Charles is a live tribute album by country singer Willie Nelson and jazz trumpeter Wynton Marsalis. It was recorded during concerts at the Rose Theater in New York City, on February 9 and 10, 2009. The album received mixed reviews, in which the instrumentation of Marsalis' orchestra was praised by ...
The Colloquy of Regensburg, historically called the Colloquy of Ratisbon, was a conference held at Regensburg (Ratisbon) in Bavaria in 1541, during the Protestant Reformation, which marks the culmination of attempts to restore religious unity in the Holy Roman Empire by means of theological debate between the Protestants and the Catholics.
Live in Concert is a live album by Ray Charles released in 1965 by ABC-Paramount Records. The recording was made at the Shrine Auditorium in Los Angeles, California in September, 1964 following a tour of Japan.
Volcanic Action of My Soul is a studio album by American singer and pianist Ray Charles.
The Schmalkaldic War (German: Schmalkaldischer Krieg; July 1546 – May 1547) was fought within the territories of the Holy Roman Empire between the allied forces of Charles V, Holy Roman Emperor and Maurice, Duke of Saxony against the Lutheran Schmalkaldic League, with the forces directly loyal to Charles fighting under the command of Fernando Álvarez de Toledo, 3rd Duke of Alba.
Ray Sings, Basie Swings is an album that mixes previously unreleased Ray Charles vocal performances from 1973 with newly recorded instrumental tracks by the contemporary Count Basie Orchestra. [ 1 ] Professional ratings