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"Where Have You Been" is a dance-pop [3] and dance song, [2] which blends elements of R&B, hip hop and house together. [4] It also incorporates elements of trance music. [5] As noted by Mark Graham for VH1, the song features a "sweeping, trance-ish transition that will bowl over dancefloor denizens in clubs all over the world."
Glen Dee Hardin (born April 18, 1939) is an American piano player and arranger. He has performed and recorded with such artists as Roy Orbison , Elvis Presley , Emmylou Harris , John Denver , and Ricky Nelson .
A restored pneumatic player piano Steinway reproducing piano from 1920. Harold Bauer playing Saint-Saëns' Piano Concerto No. 2 in G minor, Op. 22, excerpt of 3rd movement. Duo-Art recording 5973-4. A player piano is a self-playing piano with a pneumatic or electromechanical mechanism that operates the piano action using perforated paper or ...
Tone clusters...on the piano [are] whole scales of tones used as chords, or at least three contiguous tones along a scale being used as a chord. And, at times, if these chords exceed the number of tones that you have fingers on your hand, it may be necessary to play these either with the flat of the hand or sometimes with the full forearm.
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression, also known as the four-chord progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale.
The Studies for Player Piano is a series of 49 études for player piano by American composer Conlon Nancarrow.Often exploring complex rhythmic variations beyond the ability of a human pianist, these compositions are some of the best-known and celebrated compositions by Nancarrow, even though they are generally not considered a set of compositions, but rather individual compositions that were ...
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Funk also uses altered extended chords, but in this genre, pieces are usually based on a vamp on a single chord, because rhythm and groove are the key elements of the style. When extended chords are voiced in jazz or jazz fusion, the root and fifth are often omitted from the chord voicing, because the root is played by the bass player. [20]
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