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Memento mori (Latin for "remember (that you have) to die") [2] is an artistic or symbolic trope acting as a reminder of the inevitability of death. [2] The concept has its roots in the philosophers of classical antiquity and Christianity , and appeared in funerary art and architecture from the medieval period onwards.
memento mori: remember that [you will] die: remember your mortality; medieval Latin based on "memento moriendum esse" in antiquity. [5] memento vivere: remember to live: meminerunt omnia amantes: lovers remember all: memores acti prudentes futuri: mindful of things done, aware of things to come: Thus, both remembering the past and foreseeing ...
Thus, "what you are, I was; what I am, you will be.". A memento mori gravestone inscription to remind the reader that death is unavoidable (cf. sum quod eris). tu ne cede malis, sed contra audentior ito: you should not give in to evils, but proceed ever more boldly against them: From Virgil, Aeneid, 6, 95. "Ne cede malis" is the motto of The Bronx.
Nietzscheian alternative worldview to that represented through memento mori ("remember you must die"): Nietzsche believed amor fati was more affirmative of life. amor omnibus idem: love is the same for all: From Virgil, Georgics III amor patriae: love of the fatherland: i.e., "love of the nation;" patriotism: amor vincit omnia: love conquers all
Carpe is the second-person singular present active imperative of carpÅ "pick or pluck" used by Horace to mean "enjoy, seize, use, make use of". [2] Diem is the accusative of dies "day". A more literal translation of carpe diem would thus be "pluck the day [as it is ripe]"—that is, enjoy the moment.
Less blunt symbols of death frequently allude to the passage of time and the fragility of life, and can be described as memento mori; [5] that is, an artistic or symbolic reminder of the inevitability of death. Clocks, hourglasses, sundials, and other timepieces both call to mind that time is passing. [3]
Death and the Miser belongs to the tradition of memento mori, a term that describes works of art that remind the viewer of the inevitability of death.The painting shows the influence of popular 15th-century handbooks (including text and woodcuts) on the "Art of Dying Well" (Ars moriendi), intended to help Christians choose Christ over earthly and sinful pleasures.
Vanitas by Antonio de Pereda. Vanitas (Latin for 'vanity', in this context meaning pointlessness, or futility, not to be confused with the other definition of vanity) is a genre of memento mori symbolizing the transience of life, the futility of pleasure, and the certainty of death, and thus the vanity of ambition and all worldly desires.