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Felletin is identified as the source of the Aubusson tapestries in the inventory of Charlotte of Albret, Duchess of Valentinois and widow of Cesare Borgia (1514). [4] The workshops were given a royal charter in 1665, but came into their own in the later 18th century, with designs by François Boucher, Jean-Baptiste Oudry and Jean-Baptiste Huet, many of pastoral rococo subjects. [5]
The first tapestries were brought by Queen Bona Sforza as her wedding dowry. [6] Then in 1526 and 1533, Sigismund I the Old ordered 108 fabrics in Antwerp and Bruges. [6] Most of the tapestries, however, were commissioned by king Sigismund II Augustus in Brussels [3] in the workshops of Willem and Jan de Kempeneer, Jan van Tieghem [7] and Nicolas Leyniers between 1550-1565. [8]
Morris wrote that making tapestries was 'the noblest of all the weaving arts', and most suitable for his interest in reviving medieval arts and crafts. He set up his first tapestry loom in 1877, and made completed his first tapestry, was 'Acanthus and Vine' in (1879).
The word tapestry derives from Old French tapisserie, from tapisser, [9] meaning "to cover with heavy fabric, to carpet", in turn from tapis, "heavy fabric", via Latin tapes (gen: tapetis), [10] which is the Latinisation of the Greek τάπης (tapēs; gen: τάπητος, tapētos), "carpet, rug". [11]
In 1629, their sons Charles de Comans and Raphaël de la Planche took over their fathers' tapestry workshops, and in 1633, Charles was the head of the Gobelins manufactory. [3] Their partnership ended around 1650, and the workshops were split into two. Tapestries from this early, Flemish period are sometimes called pre-gobelins.
Pierre-Auguste Renoir, In Summer (or Lise the Bohemian), 1868, oil on canvas, Berlin, Germany: Alte Nationalgalerie. Bohemianism is a social and cultural movement that has, at its core, a way of life away from society's conventional norms and expectations.
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