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Who Would Imagine a King is a Christmas song written and composed by Mervyn Warren and Hallerin Hilton Hill, and originally recorded by Whitney Houston for the soundtrack to the 1996 film, The Preacher's Wife. In 2009, Lotta Engberg recorded the song on the album Jul hos mig. [1]
One Wish: The Holiday Album is the only Christmas album by American singer Whitney Houston.It was released by Arista Records on November 18, 2003. Chiefly produced by Mervyn Warren, along with additional production from Troy Taylor, Gordon Chambers and Barry Eastmond, One Wish features a duet with Houston's daughter Bobbi Kristina Brown.
It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]
A keyset or chorded keyboard (also called a chorded keyset, chord keyboard or chording keyboard) is a computer input device that allows the user to enter characters or commands formed by pressing several keys together, like playing a "chord" on a piano. The large number of combinations available from a small number of keys allows text or ...
"O What a King" is a song by American contemporary Christian music singer Katy Nichole, released on October 21, 2022, as a standalone single. [1] Nichole co-wrote the song with Brandon Heath and Jeff Pardo. [2] "O What a King" peaked at number one on both the US Hot Christian Songs chart and on the Bubbling Under Hot 100 chart. [3]
Landau regards "Smackwater Jack" as a good example of the effectiveness of Goffin's and King's songwriting partnership. [3] He regards Goffin as providing "brilliant and far-ranging" lyrics, while King "is subtly embellishing the musical form itself". [3] AllMusic critic Stewart Mason agrees that the song has "dry wit and several clever lines". [4]
The Piano Lesson is a 1987 play by American playwright August Wilson. It is the fourth play in Wilson's The Pittsburgh Cycle . Wilson began writing this play by playing with the various answers regarding the possibility of "acquir[ing] a sense of self-worth by denying one's past". [ 1 ]
Booker went on to record on piano with Larry Davis and his blues band in 1958, 1959, and 1960 in Houston, Texas. [19] In January 1960 in Chicago, he recorded on piano with Junior Parker. [19] He recorded on piano with Dave Bartholomew's studio band and Earl King, when King recorded for Imperial records in New Orleans in 1960 and 1961. [20]