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The poem begins with the act of looking in a mirror, and the act of noticing the passage of time – which operate exactly as a memento mori: the medieval tradition of contemplating one's own mortality. The poem turns from that and ends with a model of creative productivity through observation, contemplation and writing — in a collaboration ...
[16] Able Muse, a formalist online poetry journal, noted that, "For all of Stallings' formal virtuosity, few of her poems are strictly metrically regular. Indeed, one of the pleasant surprises of Archaic Smile is the number of superb poems in the gray zone between free and blank verse."
Children's literature portal; Falling Up is a 1996 poetry collection primarily for children written and illustrated by Shel Silverstein [1] and published by HarperCollins.It is the third poetry collection published by Silverstein, following Where the Sidewalk Ends (1974) and A Light in the Attic (1981), and the final one to be published during his lifetime, as he died just three years after ...
Poe used his own money to pay for the publication of his poems as the 40-page collection Tamerlane and Other Poems, [6] the only known book printed by Thomas. [15] The collection was pamphlet-sized, 6.75 by 4.5 inches. [16] Poe was 18 years old when the collection was released in July 1827 and only 50 copies were printed. [13]
In 2002, her family published a manuscript Tarrosa-Subido had been working on at the time of her death. Titled Private Edition: Sonnets and Other Poems (Milestone Publications), the retrospective volume contains 89 poems, a few of them revised and retitled versions of the originals. One of them is "To My Native Land," which is one of her most ...
The poem, a rondeau, [3] has been cited as one of Dunbar's most famous poems. [4]In her introduction to The Collected Poetry of Paul Laurence Dunbar, the literary critic Joanne Braxton deemed "We Wear the Mask" one of Dunbar's most famous works and noted that it has been "read and reread by critics". [5]
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The book's amoral stance is that of the well-off middle class to which its author belonged, as conveyed through her deceptively simple narrative style. [7] Thus it appeared in French intellectual terms, while the review in Time stated less sympathetically that "Sagan's prose is as disciplined as her characters are not… her novel is a petition ...