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To change fingers on a key, the shorter finger is usually moved under the longer one in a quick motion. While finger substitution is a standard part of both piano and pipe organ pedagogy, performance practice experts argue that it was rarely done before the 18th century; instead, players simply relocated the hand or fingers to a new position.
In modern scores, the fingers are numbered from 1 to 5 on each hand: the thumb is 1, the index finger is 2, the middle finger is 3, the ring finger is 4 and the little finger is 5. Earlier usage varied by region. In Britain in the 19th century, the thumb was shown by a cross (+) or number 0 and the fingers were numbered from 1 to 4.
String piano is a term coined by American composer-theorist Henry Cowell (1897–1965) to collectively describe pianistic extended techniques in which sound is produced by direct manipulation of the strings, instead of or in addition to striking the piano's keys. Pioneered by Cowell in the 1920s, such techniques are now often called upon in the ...
The pianist and songwriter Bruce Hornsby wrote a song titled "Spider Fingers" which uses the technique from Exercise 47. Hornsby makes a reference to the technique in the lyrics: "It's just a little hand trick/A little prestidigitation/Better get out your Hanon/A little practice and repetition" [2]
In other contexts, it refers to discrete, stepped glides across notes, such as on a piano. Some terms that are similar or equivalent in some contexts are slide , sweep bend , smear , rip (for a loud, violent glissando to the beginning of a note), [ 1 ] lip (in jazz terminology, when executed by changing one's embouchure on a wind instrument ...
string piano, i.e. hitting or plucking the strings directly or any other direct manipulation of the strings; sound icon, i.e. placing a piano on its side and bowing the strings with horsehair and other materials; whistling, singing or talking into the piano (with depressed sustain pedal) silently depressing one or more keys, allowing the ...
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