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Miller Paint was founded in 1890 by Ernest Carl Bernard Mueller, a muralist and house painter who emigrated from Germany to Portland, Oregon. [1] [2] After changing the spelling of his last name to Miller, he began doing business as Ernest Miller & Co., and established a storefront in downtown Portland in 1895.
Baker–Miller Pink, also known as P-618, Schauss pink, or Drunk-Tank Pink is a tone of pink which has been observed to temporarily reduce hostile, violent or aggressive behavior. [1] It was originally created by mixing white indoor latex paint with red trim semi-gloss outdoor paint in a 1:8 ratio by volume.
Alfred Jacob Miller (January 2, 1810 – June 26, 1874) was an American artist best known for his paintings of trappers and Native Americans in the fur trade of the western United States. He also painted numerous portraits and genre paintings in and around Baltimore during the mid-nineteenth century.
Henry Valentine Miller (December 26, 1891 – June 7, 1980) was an American novelist, short story writer and essayist. He broke with existing literary forms and developed a new type of semi-autobiographical novel that blended character study, social criticism, philosophical reflection, stream of consciousness, explicit language, sex, surrealist free association, and mysticism.
Paint is a 2023 American comedy-drama film written and directed by Brit McAdams. The film stars Owen Wilson, Michaela Watkins, Ciara Renée, Stephen Root, Wendi McLendon-Covey, Lucy Freyer, Lusia Strus, and Michael Pemberton. Paint was released in the United States on April 7, 2023, by IFC Films.
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Elizabeth "Lee" Miller, Lady Penrose (April 23, 1907 – July 21, 1977), was an American photographer and photojournalist. Miller was a fashion model in New York City in the 1920s before going to Paris, becoming a fashion and fine-art photographer there.
Millet's The Gleaners was preceded by a vertical painting of the image in 1854 and an etching in 1855. Millet unveiled The Gleaners at the Salon in 1857. It immediately drew negative criticism from the middle and upper classes, who viewed the topic with suspicion: one art critic, speaking for other Parisians, perceived in it an alarming intimation of "the scaffolds of 1793."