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Juxtaposition in literary terms is the showing contrast by concepts placed side by side. An example of juxtaposition are the quotes "Ask not what your country can do for you; ask what you can do for your country", and "Let us never negotiate out of fear, but let us never fear to negotiate", both by John F. Kennedy, who particularly liked juxtaposition as a rhetorical device. [1]
Example clip of a modern Kuleshov sequence, where footage of a man's face is intercut with three different shots. The Kuleshov effect is a film editing effect demonstrated by Russian film-maker Lev Kuleshov in the 1910s and 1920s. It is a mental phenomenon by which viewers derive more meaning from the interaction of two sequential shots than ...
This disparity relies on the instability of Jonas' images juxtaposed with their cementation as visible through the use of the video medium. [4] An example of the perceptual confusions created in Jonas' Vertical Roll can be seen in the sequence where "Jonas bangs a spoon against a mirror, creating the illusions of a relationship between the ...
The optical illusion of lines does exist in nature, and in visual arts, elements can be arranged to create this illusion. The viewer unconsciously "reads" the image through the continuous arrangement of different elements and subjects at varying distances. Such elements can be of dramatic use in the composition of the image.
Over that, Paolozzi pasted images of a gun emitting the word "pop" cut from the packaging of a toy pop gun, a cherry with a slice of cherry pie, and a "Real Gold" logo from a brand of California lemon juice. Mounted elsewhere on the card are an image of a Lockheed Hudson or Ventura bomber, and part of a Coca-Cola advertisement. Paolozzi took ...
An image of HHS Secretary nominee RFK Jr. juxtaposed next to a bottle of pills made by drug manufacturers. "That may comply with ordinary conflict of interest issues," Jim Copland, director of ...
Enantiosis, synoeciosis or discordia concors is a rhetorical device in which opposites are juxtaposed so that the contrast between them is striking. [1] Examples include the famous maxim of Augustus, festina lente (hasten slowly), [2] and the following passage from Paul's second letter to the Corinthians: [3]
Eisenstein discussed how a perfect example of his theory is found in his film October, which contains a sequence where the concept of "God" is connected to class structure, and various images that contain overtones of political authority and divinity are edited together in descending order of impressiveness so that the notion of God eventually ...