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Chopin Scherzo no. 2 in B flat minor, Op. 31, Alice Gi-Young Hwang Frederic Chopin - scherzo no. 2 in B flat minor, op. 31. The Scherzo No. 2 in B ♭ minor, Op. 31 is a scherzo by Frédéric Chopin. The work was composed and published between 1835 and 1837, [1] and was dedicated to Countess Adèle Fürstenstein. As pianist David Dubal has ...
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Other examples; the second movement of Shostakovich's Symphony No. 10, the second (sometimes third) movement of Mahler's Symphony No. 6, Felix Mendelssohn's composition for A Midsummer Night's Dream between act 1 and 2, and in several of Bruckner's symphonies. In present-day compositions, the scherzo has also made appearances.
Allegro und Scherzo, mvts II & IV added in Jan.1842; mvt III publ. 1845 as Op. 15 No. 4 Impromptu in E major pf c.1844 1885 published as No. 17 in Album du Gaulois: Op. 14 Scherzo No. 2 in C minor pf after 1840 1845 Uses themes from Lied Op. 12, No. 2, "Er ist gekommen in Sturm und Regen" Op. 15 4 Flüchtige Stücke ("4 Fleeting Pieces")
Overture. (Andante con moto in E minor [2] – Allegro in E major and time [3]) (sketched and completed in April 1841) [1] Scherzo. Vivo, in 6 8 time and in C ♯ minor, [4] whose theme is based on that of the overture. [1] It has a trio section in D ♭ major, in contrasting 2 4 time [5] whose material reappears as the coda of the movement. [6 ...
The work has a duration of 80 to 90 minutes, and is conventionally labelled as being in the key of C minor; the New Grove Dictionary of Music and Musicians labels the work's tonality as C minor–E ♭ major. [1] It was voted the fifth-greatest symphony of all time in a survey of conductors carried out by the BBC Music Magazine. [2]
Felix Weingartner's Symphony No. 2 in E-flat major, Op. 29 is a musical composition that Weingartner started in 1897 and completed in 1899. [1] The overall musical language of the piece is late-romantic although with a high emphasis on Schubertian melodicism.
Pyotr Ilyich Tchaikovsky composed his Orchestral Suite No. 2 in C major, Op. 53, in 1883. It was premiered on February 16, 1884 at a Russian Musical Society concert in Moscow, conducted by Max Erdmannsdörfer. The piece was well enough received to be repeated a week later. [1]
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