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"Baby Did a Bad Bad Thing" is a song by American musician Chris Isaak, released as the first track to the 1995 album Forever Blue. Filled with sensuality and erotic imagery, the song was described by Isaak as a declaration to "Somebody who is so evil and twisted and bad, and yet, you still want them."
A common type of three-chord song is the simple twelve-bar blues used in blues and rock and roll. Typically, the three chords used are the chords on the tonic, subdominant, and dominant (scale degrees I, IV and V): in the key of C, these would be the C, F and G chords. Sometimes the V 7 chord is used instead of V, for greater tension.
"Bad Things" is a song written and recorded by American singer Jace Everett. [6] It is included on his only album for Epic Records Nashville , the self-titled Jace Everett . Although released as a single in 2005, it did not chart on the Hot Country Songs charts that year.
The ukulele (/ ˌ juː k ə ˈ l eɪ l i / yoo-kə-LAY-lee; from Hawaiian: ʻukulele [ˈʔukuˈlɛlɛ]), also called a uke, is a member of the lute family of instruments. The ukulele is of Portuguese origin and was popularized in Hawaii. The tone and volume of the instrument vary with size and construction. Ukuleles commonly come in four sizes ...
[50] [h] The standard-tuning implementation of a C7 chord is a second-inversion C7 drop 2 chord, in which the second highest note in a second inversion of the C7 chord is lowered by an octave. [ 50 ] [ 52 ] [ 53 ] Drop-two chords are used for sevenths chords besides the major–minor seventh with dominant function, [ 54 ] which are discussed in ...
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Tune-Yards (stylized as tUnE-yArDs) [1] is the American, Oakland, California–based music project of Merrill Garbus and Nate Brenner.Garbus's music draws from an eclectic variety of sources and uses elements such as loop pedals, ukulele, vocals, and lo-fi percussion. [2]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
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