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A major triad has a major third (M3) on the bottom, a minor third (m3) on top, and a perfect fifth (P5) between the outer notes. In harmonic analysis and on lead sheets, a C major chord can be notated as C, CM, CΔ, or Cmaj. A major triad is represented by the integer notation {0, 4, 7}.
Euler's Tonnetz. The Tonnetz originally appeared in Leonhard Euler's 1739 Tentamen novae theoriae musicae ex certissismis harmoniae principiis dilucide expositae.Euler's Tonnetz, pictured at left, shows the triadic relationships of the perfect fifth and the major third: at the top of the image is the note F, and to the left underneath is C (a perfect fifth above F), and to the right is A (a ...
The above definitions spell out the interval of each note above the root. Since triads are constructed of stacked thirds, they can be alternatively defined as follows: major triads contain a major third with a minor third stacked above it, e.g., in the major triad C–E–G (C major), the interval C–E is major third and E–G is a minor third.
As shown above, a C-major triad (or any chord with three notes) has two inversions: In the first inversion , the lowest note is E – the third of the triad – with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor sixth above the inverted bass of E, respectively.
A study of chromatic triads formed from arbitrary combinations of the 13 tones of the chromatic scale among twelve musicians and twelve untrained listeners found semitones 0, 1, 2 to be the most dissonant chord (play ⓘ), but 0, 11, 13 (play ⓘ) was considered the most consonant by the trained subjects (because it sounds like an octave ...
Any major triad and minor triad, in root position, can be played with a single finger; Ergonomically, the harmonic table format is exceptionally compact: all notes of the major and minor scales fall under the fingers, and all common chords can be played with one or two fingers.
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The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it. [1] In the first inversion of a C-major triad, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor ...