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The English modal auxiliary verbs are a subset of the English auxiliary verbs used mostly to express modality, properties such as possibility and obligation. [a] They can most easily be distinguished from other verbs by their defectiveness (they do not have participles or plain forms [b]) and by their lack of the ending ‑(e)s for the third-person singular.
The poet here presents the idea of the young man taking on the role of poet and writing about himself. This sonnet makes use of the rhetorical device termed correlatio, which involves a listing and correlating of significant objects, and which was perhaps overused in English sonnets. The objects here are a mirror, a time piece and a notebook ...
However, the references to light and darkness in the poem make it virtually certain that Milton's blindness was at least a secondary theme. The sonnet is in the Petrarchan form, with the rhyme scheme a b b a a b b a c d e c d e but adheres to the Miltonic conception of the form, with a greater usage of enjambment.
As a tree bends, so shall it grow; As the twig is bent, so is the tree inclined; As you make your bed, so you must lie upon it; As you sow so shall you reap; Ask a silly question and you will get a silly answer; Ask my companion if I be a thief; Ask no questions and hear no lies; Attack is the best form of defense; At the end of my rope
The reason undoubtedly lies in its great simplicity and beauty of language, turning on Dorothy's observation that this man-made spectacle is nevertheless one to be compared to nature's grandest natural spectacles. Cleanth Brooks analysed the sonnet in these terms in The Well Wrought Urn: Studies in the Structure of Poetry. [2]
According to scholars, there does not seem to be a very strict form in "Contemplations" upon first glance. However, patterns can be found in the poem, including patterns of imagery. One example of this pattern in the poem is the metaphor of seasons passing. The poem moves from autumn all the way through to summer.
Generally, however, will is far more common than shall. Use of shall is normally a marked usage, typically indicating formality or seriousness and (if not used with a first person subject) expressing a colored meaning as described below. In most dialects of English, the use of shall as a future marker is viewed as archaic. [9]
Although God cannot create a self-contradictory world, he is all-powerful and all-knowing, as emphasized in §55. He cannot be prevented from creating a world by not knowing about it, or by lacking the power to make it. Given these assumptions, it might seem that God could create just any one of the worlds.