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The Ambassadors is a 1533 painting by Hans Holbein the Younger. Also known as Jean de Dinteville and Georges de Selve , [ 1 ] after the two people it portrays, it was created in the Tudor period , in the same year Elizabeth I was born.
Two dimensional art objects generally use the assumption of a single viewpoint to give the illusion of depth (monocular depth cues), Hans Holbein's The Ambassadors (1533) is no different in that sense, however, Holbein also includes an anamorphic image of a skull which has a completely different view point in order to accurately view the object.
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New research and conservation work on the 1533 portrait by Hans Holbein the Younger has revealed that the painter made repeated small changes, each time giving Born even more chiseled features.
Self-portrait, c. 1542–43.Coloured chalks and pen, heightened with gold, Uffizi Gallery, Florence. This list of paintings by Hans Holbein the Younger contains a selection of the artist's best-known paintings, as well as a few copies and derivatives of his art, some of which relate to lost works.
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Hans Holbein the Younger (UK: / ˈ h ɒ l b aɪ n / HOL-byne, [2] US: / ˈ h oʊ l b aɪ n, ˈ h ɔː l-/ HOHL-byne, HAWL-; [3] [4] [5] German: Hans Holbein der Jüngere; c. 1497 [6] – between 7 October and 29 November 1543) was a German-Swiss painter and printmaker who worked in a Northern Renaissance style, and is considered one of the greatest portraitists of the 16th century. [7]
The Ambassadors (1533) is a painting by Hans Holbein the Younger in the National Gallery, London. As well as being a double portrait , the painting contains a still life of several meticulously rendered objects, the meaning of which is the cause of much debate.
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