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For an example, the British scholar H. W. Garrod delivered "A Depreciation of Jane Austen" before the Royal Society for Literature in May 1928, which Johnson called extremely misogynistic and homophobic, as he attacked Austen as a writer for no other reason than she was a woman, whose male characters were all "soft", and contemptuously stated ...
Karaikal Ammaiyar (born Punītavatī), meaning "The Revered Mother of Karaikal", is one of the three women amongst the 63 Nayanmars and one of the greatest figures of early Tamil literature. She was born in Karaikal, South India, and probably lived during the 5th century AD. [1] She was a devotee of Shiva. [2] [3]
In bhakti school literature, the term is typically used for any deity to whom prayers are offered. A particular deity is often the devotee's one and only Bhagavan. [2] The female equivalent of Bhagavān is Bhagavati. [4] [5] To some Hindus, the word Bhagavan is an abstract, genderless concept of God.
The Bhagavata Purana, for example, is a Krishna-related text associated with the Bhakti movement in Hinduism. [13] Bhakti is also found in other religions practiced in India, [ 14 ] [ 15 ] [ 16 ] and it has influenced interactions between Christianity and Hinduism in the modern era.
A rare example of a Shakta Ardhanarishvara, where the dominant right side is female The iconographic 16th century work Shilparatna , the Matsya Purana and Agamic texts like Amshumadbhedagama, Kamikagama, Supredagama and Karanagama – most of them of South Indian origin – describe the iconography of Ardhanarishvara.
Andal is the only female Alvar among the 12. Together with the contemporary 63 Shaivite Nayanars , they are among the most important saints from Tamil Nadu. The devotional outpourings of the Alvars, composed during the early medieval period of Tamil history , were the catalysts behind the Bhakti Movement through their hymns of worship to Vishnu ...
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
The most significant members of the thiasus were the human female devotees, the maenads, who gradually replaced immortal nymphs. In Greek vase-paintings or bas-reliefs , lone female figures can be recognized as belonging to the thiasus by their brandishing the thyrsos , the distinctive staff or rod of the devotee.