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Call It What You Want" is an atmospheric, mid-tempo electropop [10] [11] and synth-pop song [12] with a crossover R&B-trap inclination. [13] Jack Antonoff revealed on Twitter that "Call It What You Want" was "made with an MPC, live kick, dx7 strings and samples of Taylor's voice as the intro and throughout. Making her voice into an instrument."
On Oct. 24, 2006, a little-known singer-songwriter from Wyomissing, Penn., released her self-titled debut album. That 16-year-old was Taylor Swift, who went on to become one of the most successful ...
On February 11, 2021, Swift announced the first of her re-recorded albums, Fearless (Taylor's Version), a re-recording of Swift's second studio album, Fearless (2008). [ 6 ] [ 7 ] In addition to re-recordings of the original album's tracks, Fearless (Taylor's Version) additionally contained six previously unreleased "From the Vault" tracks ...
Eager fans noted the lyrics seemed to correlate with Swift's 2008 song "Love Story" and its depiction of a romance for the ages. "Romeo, take me somewhere we can be alone," she sang. Now, nearly a ...
Swift kicked off the European leg of her “Eras Tour” May 9 in Paris, fresh on the heels of releasing her 11th album, “The Tortured Poets Department,” on April 29. While the setlist saw ...
Swift's second studio album, Fearless, was released in November 2008 in North America, [66] and in March 2009 in other markets. [67] On the Billboard 200, Fearless spent 11 weeks at number one, becoming Swift's first chart topper and the longest-running number-one female country album. [68] It was the bestselling album of 2009 in the US. [69]
‘Fresh Out the Slammer’ x ‘You Are in Love’ / ‘Ivy’ x ‘Call It What You Want’ Swift combined the TTPD and 1989 tracks for her guitar surprise song during her July 27 concert in Munich.
When Reputation was first released, music critics generally praised Swift's intimate songwriting about love but were divided by the production and themes of fame and celebrity, which some described as harsh and derivative. Some media publications deemed the album disappointing in the context of Swift's celebrity and the US political landscape.