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There is occasional loss or assimilation of final /s/, but it is nowhere regular until a much later period. [50] When two neighbouring syllables each contain /r/, one /r/ frequently dissimilates to /l/ or is deleted. [51]
Length is the duration of time that a particular sound is held before proceeding to the next sound in a word. In the modern spelling of Latin, especially in dictionaries and academic work, macrons are frequently used to mark long vowels: ā ē ī ō ū ȳ , while the breve is sometimes used to indicate that a vowel is short: ă ĕ ĭ ŏ ŭ y̆ .
Exaggeration is the representation of something as more extreme or dramatic than it is, intentionally or unintentionally. It can be a rhetorical device or figure of speech, used to evoke strong feelings or to create a strong impression.
This period is estimated to have lasted only a century or so, the 4th to 5th; the time during which the Franks started to spread south into Gaul (France) and the various coastal people began colonising Britain. Changes in this period affected the Ingvaeonic languages, but not the more southerly Central and Upper German languages.
The phonological system of the Old English language underwent many changes during the period of its existence. These included a number of vowel shifts, and the palatalisation of velar consonants in many positions. For historical developments prior to the Old English period, see Proto-Germanic language.
In a typological scheme first systematized by Henry M. Hoenigswald in 1965, a historical sound law can only affect a phonological system in one of three ways: . Conditioned merger (which Hoenigswald calls "primary split"), in which some instances of phoneme A become an existing phoneme B; the number of phonemes does not change, only their distribution.
The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the " classical music " canon , and is widely studied, performed, and listened to.
The trill (or shake, as it was known from the 16th until the early 20th century) is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trill [2] (compare mordent and tremolo).