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Art film directors make up for these constraints by creating a different type of film, one that typically uses lesser-known film actors or even amateur actors, and modest sets to make films that focus much more on developing ideas, exploring new narrative techniques, and attempting new film-making conventions.
Found footage is a cinematic technique in which all or a substantial part of the work is presented as if it were film or video recordings recorded by characters in the story, and later "found" and presented to the audience.
Querelle is a 1982 English-language arthouse film directed by Rainer Werner Fassbinder. The film stars Brad Davis and was adapted from French author Jean Genet's 1947 novel Querelle of Brest. The plot centers on the Belgian sailor Georges Querelle, who is both a thief and murderer. It was Fassbinder's last film, released shortly after his death ...
The ability to re-appropriate a game engine to film a video demonstrates intertextuality because it is an obvious example of art being a product of creation-through-manipulation rather than creation per se. The art historian Ernst Gombrich likened art to the "manipulation of a vocabulary" [131] and this can be demonstrated in the creation of ...
The following outline is provided as an overview of and topical guide to film: . Film refers to motion pictures as individual projects and to the field in general. The name came from the fact that photographic film (also called filmstock) has historically been the primary medium for recording and displaying motion pictures.
A moving short film currently longlisted for the Academy Awards depicts a test of faith and morals set in a rural Irish village. Clodagh, co-written and directed by Portia A Buckley with her ...
Taylor Swift and collaborator Jack Antonoff worked together because of a mutual connection to Claire Denis' new film, 'Stars at Noon.' You can thank this arthouse film for uniting Swift and ...
In his 1969 article "Structural Film", film historian P. Adams Sitney identifies a shift within avant-garde cinema away from complex forms and toward "a cinema of structure wherein the shape of the whole film is predetermined and simplified, and it is that shape which is the primal impression of the film."