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Art film directors make up for these constraints by creating a different type of film, one that typically uses lesser-known film actors or even amateur actors, and modest sets to make films that focus much more on developing ideas, exploring new narrative techniques, and attempting new film-making conventions.
A movie that centres on people attending an artistic/sexual salon was a likely contender to feature unsimulated sex and Shortbus does, but director John Cameron Mitchell had a reason for including it.
Querelle is a 1982 English-language arthouse film directed by Rainer Werner Fassbinder. The film stars Brad Davis and was adapted from French author Jean Genet's 1947 novel Querelle of Brest. The plot centers on the Belgian sailor Georges Querelle, who is both a thief and murderer. It was Fassbinder's last film, released shortly after his death ...
An early cut of the film was first screened at as a work in progress at St. Louis International Film Festival in November 2014. [7] [8] [5] It was also previewed at Sarasota Film Festival in April 2015, [9] Portland Film Festival in September 2015, Carmel Film Festival in October 2015, Arthouse Film Festival in April 2016 and Harrisburg-Hershey Film Festival in September 2016.
CinemaSavannah director Tomasz Warchol pens a piece explaining why Savannah needs an arthouse movie theater to become an arts destination.
Taylor Swift and collaborator Jack Antonoff worked together because of a mutual connection to Claire Denis' new film, 'Stars at Noon.'
In a 2016 article for Cinema Journal, Cecilia Sayad explores the relationship between the found footage genre and reality.She asserts that the genre’s metaphorical framing, convincing audiences that films contain true unscripted footage, and its technical framing, mimicking amateur home videos and security footage, are key to what creates fear in the audience, dissolving the traditional ...
Cinéma vérité (UK: / ˌ s ɪ n ɪ m ə ˈ v ɛr ɪ t eɪ /, US: /-ˌ v ɛr ɪ ˈ t eɪ /, French: [sinema veʁite] lit. ' truth cinema ' or ' truthful cinema ') is a style of documentary filmmaking developed by Edgar Morin and Jean Rouch, inspired by Dziga Vertov's theory about Kino-Pravda.