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In music and music theory, the beat is the basic unit of time, the pulse (regularly repeating event), of the mensural level [1] (or beat level). [2] The beat is often defined as the rhythm listeners would tap their toes to when listening to a piece of music, or the numbers a musician counts while performing, though in practice this may be ...
Fandango – Spanish music made to accompany the upbeat dance of the same name. Farruca – a light style of flamenco. Festejo – a style of Afro-Peruvian music. Fife and drum blues – a fusion of Hill country blues and martial music that is performed typically with one lead fife player and a troop of drummers.
In Popular Music Perspectives, edited by David Horn and Philip Tagg, 52–81. Göteborg and Exeter: A. Wheaton & Co., Ltd. Frith, Simon (1996) Performing Rites: On the Value of Popular Music. Cambridge, Massachusetts: Harvard University Press. Holt, Fabian (2007) Genre in Popular Music. Chicago: University of Chicago Press.
This is a list of electronic music genres, consisting of genres of electronic music, primarily created with electronic musical instruments or electronic music technology. A distinction has been made between sound produced using electromechanical means and that produced using electronic technology. [ 1 ]
Stride piano is highly rhythmic because of the alternating bass note and chord action of the left hand. In the left hand, the pianist usually plays a single bass note, or a bass octave or tenth, followed by a chord triad toward the center of the keyboard, while the right hand plays syncopated melody lines with harmonic and riff embellishments ...
Upbeat, in music, the last beat in the previous bar which immediately precedes the downbeat; Anacrusis, a note (or sequence of notes) which precedes the first downbeat in a bar in a musical phrase; Upbeat, by the Fred Frith Guitar Quartet, 1999; Upbeat, an American musical show 1964–1971; Upbeat Records, an independent record label
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Claude Debussy c. 1910. This is a complete list of compositions by Claude Debussy initially categorized by genre, and sorted within each genre by "L²" number, according to the 2001 revised catalogue by musicologist François Lesure, [1] which is generally in chronological order of composition date.
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