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The circuit design remained largely unchanged through the ensuing years, and the control face was changed back to a black panel in 1980. The Deluxe Reverb was discontinued in 1982. [2] The Deluxe Reverb II was introduced that same year. Output on the amp was diminished to 20 watts and a solid-state rectifier was used. The tremolo circuit was ...
Silverface amps made between '68 and '72 were emblazoned with "Super Reverb-Amp" with a tailed amp logo in the grille cloth. After 1972 this was changed to just "Super Reverb" and the tailed Fender logo from the mid-1960s was replaced with a modern "unscripted" tailless amp decal (changed to a "scripted" style in 1977).
The Fender Princeton Reverb is a guitar amplifier combo, essentially a Princeton with built-in reverb and vibrato. The 12 Watt Blackface version was introduced in 1964 and available until 1967; in 1968 it was changed to the Silverface version with a drip edge around the grill cloth. Amps produced after the end of 1969 saw a change in circuitry ...
Fender Vibrosonic Reverb This page was last edited on 24 September 2017, at 23:13 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
In 2013, Fender released the silverface '68 Custom amplifiers as a part of their Vintage Modified series, modeled after the original drip-edge silverfaced amps of 1968. Models included the Twin Reverb, Deluxe Reverb, Quad Reverb, and Princeton Reverb, and a Vibrolux Reverb was added to the line the following year. Each amp incorporates reverb ...
This resulted in the Bandmaster Reverb having reduced power over the standard model and increased sag and power amp break up. The revised circuit also places the gain stage within the reverb recovery circuit which causes the amp to break up earlier. These series amps offer the designations AA768, AA568, AA1069 and TFL5005.
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The Concert amp was introduced as a replacement for the 4-10 tweed Bassman amplifier. Due to the popularity of the Bassman, both amplifiers were produced concurrently during 1960. Unlike most of the other Professional Series amps however, the Concert (along with Fender Vibrasonic ) were not previously offered as tweed-covered models in the 1950s.
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