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The Black Crook was a long-running musical on Broadway in 1866. [1]Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and dance.. The story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated who
Dear Edwina is a musical by Zina Goldrich (music) and Marcy Heisler (book and lyrics). A children's one-hour musical, it concerns a young girl who gives her neighborhood friends and family advice through singing in a musical show. It is set in the town of Paw Paw, Michigan (but also based on Deerfield, Illinois, where Marcy Heisler was born).
Musicals in which recitative takes the place of spoken dialogue for all or most of the show. See also Sung-through.
A sung-through stage musical, musical film, opera, or other work of performance art is one in which songs entirely or almost entirely replace any spoken dialogue. Conversations, speeches, and musings are communicated musically, for example through a combination of recitative, aria, and arioso.
As in the French opéra comique, the singspiel was an opera with spoken dialogue, and usually a comic subject, such as Mozart's Die Entführung aus dem Serail (1782) and The Magic Flute (1791). Later singspiels , such as Beethoven's Fidelio (1805) and Weber's Der Freischütz (1821), retained the form, but explored more serious subjects.
The best movie musicals to ever hit our screens, from 'The Sound of Music,' to 'A Star Is Born.' ... Only ’90s kids remember this super cute musical about another teenage band that shoots to ...
The piece, described by Malloy as an "electropop opera," is sung-through, with just one line of spoken dialogue coming in Pierre and Natasha's only scene together. [2] On stage, nearly all of the actors play musical instruments augmenting the show's orchestra.
Operetta is a precursor of the modern musical theatre or the "musical". [12] In the early decades of the 20th century, operetta continued to exist alongside the newer musicals, with each influencing the other. The distinctive traits of operetta are found in the musical theatre works of Jerome Kern, Richard Rodgers and Stephen Sondheim. [2]