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The Dirty Boogie is the third album from the swing band the Brian Setzer Orchestra.The album is considered as the breakthrough for the band, with their first single being a cover of Louis Prima's "Jump Jive an' Wail", which Prima had made popular in 1956 and included in his album The Wildest!.
The Brian Setzer Orchestra covered the song on their 1998 album The Dirty Boogie. [5] In 1999, Setzer's cover won the Grammy Award for Best Pop Performance by a Duo or Group with Vocals at the 41st Grammy Awards.
The Brian Setzer Orchestra (sometimes known by its initials BSO) is a swing and jump blues band formed in 1992 by Stray Cats frontman Brian Setzer. [1] In 1998, for their breakout album The Dirty Boogie, the group covered Louis Prima's "Jump, Jive an' Wail", which originally appeared on Prima's 1957 album The Wildest!.
Lucille Bogan (née Anderson; April 1, 1897 – August 10, 1948) [1] was an American classic female blues singer and songwriter, among the first to be recorded. She also recorded under the pseudonym Bessie Jackson.
"Tutti Frutti" (Italian for "all fruits") is a song written by Little Richard and Dorothy LaBostrie, recorded in 1955, which was his first major hit.With its energetic refrain, often transcribed as "A-wop-bop-a-loo-mop-a-lop-bam-boom!"
"Dangerous" was composed in 4 4 time and the key of B-minor, with a tempo of 103 beats per minute. It has a duration time of three minutes and thirty-seven seconds. [2] The chorus of the song (This is serious/We could make you delirious/You should have a healthy fear of us/'Cause too much of us is dangerous) was taken from a 1980s PSA produced by Kids Corner Ltd of Colorado Springs, Colorado ...
Saturday Night Fever is the soundtrack double album (in 2 Long Play records) from the 1977 film Saturday Night Fever starring John Travolta.The soundtrack was released on November 15, 1977 by RSO Records.
Rufus George Perryman (October 23, 1892 – January 2, 1973), [2] known as Speckled Red, was an American blues and boogie-woogie piano player and singer [1] noted for his recordings of "The Dirty Dozens", exchanges of insults and vulgar remarks that have long been a part of African-American folklore.