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The use of parallel fifths (or fourths) to refer to the sound of traditional Chinese or other kinds of Eastern music was once commonplace in film scores and songs. Since these passages are an obvious oversimplification and parody of the styles that they seek to evoke, this use of parallel fifths declined during the last half of the 20th century.
In the Middle Ages, simultaneous notes a fourth apart were heard as a consonance.During the common practice period (between about 1600 and 1900), this interval came to be heard either as a dissonance (when appearing as a suspension requiring resolution in the voice leading) or as a consonance (when the root of the chord appears in parts higher than the fifth of the chord).
The use of perfect fourths and fifths to sound in parallel with and to "thicken" the melodic line was prevalent in music prior to the European polyphonic music of the Middle Ages. In the 13th century, the fourth and fifth together were the concordantiae mediae (middle consonances) after the unison and octave, and before the thirds and sixths.
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A cord is the amount of wood that, when "ranked and well stowed" (arranged so pieces are aligned, parallel, touching and compact), occupies a volume of 128 cubic feet (3.62 m 3). [43] This corresponds to a well-stacked woodpile, 4 feet deep by 4 feet high by 8 feet wide (122 cm × 122 cm × 244 cm) , or any other arrangement of linear ...
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At the beginning of the 20th century, fourths played a strong role in contemporary music-styles, but in quite a different way: "Quartal harmony", the harmonic layering of fourths, imbued modern music with structural commonalities, creating parts more widely separated in space and/or time (because the fourth is a wider interval than the third ...