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The Well Wrought Urn: Studies in the Structure of Poetry is a 1947 collection of essays by Cleanth Brooks. It is considered a seminal text [1] in the New Critical school of literary criticism. The title contains an allusion to the fourth stanza of John Donne's poem, "The Canonization", which is the primary subject of the first chapter of the book.
The main focus of this poem is the love of parents for their children, but this kind of love can be easily misunderstood by the latter, as it isn't about being kind and saying lovely words but instead are all the sacrifices that parents do; for instance, as it is implied in the poem, keeping the house warm and polishing the "good shoes".
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
The Ego-Futurists were another poetry school within Russian Futurism during the 1910s, based on a personality cult. [53] [56] Most prominent figures among them are Igor Severyanin and Vasilisk Gnedov. The Acmeists were a Russian modernist poetic school, which emerged ca. 1911 and to symbols preferred direct expression through exact images.
A group of Texas parents are banding together to push back on book bans in school districts across the state.. The Texas Freedom to Read Project, a coalition of parents from across the state ...
Born in south-east London, Fanthorpe was the daughter of a judge, [1] or as she put it "middle-class but honest parents". [2] She was educated at St Catherine's School, Bramley, in Surrey, and at St Anne's College, Oxford, where she "came to life", [2] receiving a first-class degree in English language and literature.
When the book was published in the U.K. by Jonathan Cape, Doty became the first American poet to win the T. S. Eliot Prize, Britain's most significant annual award for poetry. [8] Doty had begun the poems collected in Atlantis (HarperCollins, 1995) when Roberts died in 1994. The book won the Bingham Poetry Prize and the Ambassador Book Award.
As the title is, “One’s Self,” not “Myself”, this already forms the bond between the reader and writer which again is what he is conveying in the poem. The final line has the reader caught up in the difference between past heroes and the “modern man” which is just as powerful if one believes that it is so.