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Rapport (/ r ə ˈ p ɔːr / rə-POR; French:) is a close and harmonious relationship in which the people or groups concerned are "in sync" with each other, understand each other's feelings or ideas, and communicate smoothly.
De l’Union des arts et de l’industrie, rapport fait au nom de la commission française de l’exposition universelle de Londres sur les beaux-arts et sur les industries qui se rattachent aux Beaux-arts. 2 vols. Imprimerie impériale, Paris 1856.
Mémoires inédits sur la vie et les ouvrages des membres de l'Académie royale de peinture et de sculpture : publiés d'après les manuscrits conservés à l'Ecole impériale des beaux-arts [Unpublished memoirs on the life and works of members of the Royal Academy of Painting and Sculpture: published from the manuscripts kept at the Imperial ...
By its original and broadest definition, art (from the Latin ars, meaning "skill" or "craft") is the product or process of the effective application of a body of knowledge, most often using a set of skills; this meaning is preserved in such phrases as "liberal arts" and "martial arts".
In 1793 during the French Revolution the academies were suppressed, but in 1795 the Institut national des sciences et des arts (now the Institut de France) was established and consisted of three Classes: Sciences Physiques et Mathématiques ("Physical and Mathematical Sciences"); Sciences Morales et Politiques ("Moral and Political Sciences ...
The percentage of modern English words derived from each language group: Anglo-Norman French, then French: ~29% Latin, including words used only in scientific, medical or legal contexts: ~29%
Rapport is an aspect of unconscious human interaction. Rapport may also refer to: Media. Rapport, one of the largest Sunday newspapers in South Africa; Rapport (TV ...
The Postmodern Condition: A Report on Knowledge (French: La condition postmoderne: rapport sur le savoir) is a 1979 book by the philosopher Jean-François Lyotard, in which the author analyzes the notion of knowledge in postmodern society as the end of 'grand narratives' or metanarratives, which he considers a quintessential feature of modernity.