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In the key of C, C/E (C major first inversion, with E bass) is written as 1/3; G/B is written as 5/7; Am/G (an inversion of Am7) is written as 6m/5; F/G (F major with G bass) is 4/5. Just as with simple chords, the numbers refer to scale degrees; specifically, the scale degree number used for the bass note is that of the note's position in the ...
E major is a major scale based on E, consisting of the pitches E, F ♯, G ♯, A, B, C ♯, and D ♯. Its key signature has four sharps. Its relative minor is C-sharp minor and its parallel minor is E minor. Its enharmonic equivalent, F-flat major, has six flats and the double-flat B, which makes that key less convenient to use. The E major ...
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
In music theory, the scale degree is the position of a particular note on a scale [1] relative to the tonic—the first and main note of the scale from which each octave is assumed to begin. Degrees are useful for indicating the size of intervals and chords and whether an interval is major or minor .
The pattern of whole and half steps characteristic of a major scale. The intervals from the tonic (keynote) in an upward direction to the second, to the third, to the sixth, and to the seventh scale degrees of a major scale are called major. [1] A major scale is a diatonic scale. The sequence of intervals between the notes of a major scale is:
Nashville notation or Nashville Number System [2] is a method of notating chord changes using numbers based on scale degrees, in lieu of chord names. For example, in the key of C-Major, the chord D-minor-seventh can be written as 2− 7, 2m 7, or ii 7.
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A drawback often pointed out is that numerical numbers are not always "singable," for example, scale degree 7 (ti, in solfege) contains vowels that are hard to tune. Numerical sight singing is not the same as integer notation derived from musical set theory and used primarily for sight singing atonal music.